Mick Ronson Benefit Show Review
By Cyndi Ford

Mick Ronson - A Tribute
- April 2011, Atlanta
When I did my interview with Suzi Ronson,
I was compelled to do a benefit show for
the Mick Ronson Legacy Foundation.
I had to follow my heart, and do what I could.
I immediately told my best friend Penny,
and she thought it was a great idea.
However she is what keeps me grounded, and reminded me that it
would be quite an undertaking.
Of course I thought, ah this will be a piece of cake...little
did I know the road this endeavour would take me down.
First thing I did was contact my friend and editor
Chris Rockson at
Soundcheck-Magazine, he gave me his
blessing, and said he was there if I needed him, and of course I
did. Then I contacted one of my favorite venues in town the
Masquerade, they gave me two dates
to chose from, both were a Sunday night, so I took the later
one, which made my show March 6, 2011, a date that will forever
be etched in my mind. I contacted Bruce
Smith, who graciously offered up a few questions for the
interview, but after a few messages back and forth he
declined...this was my first bump in the road. I did not let it
get me down though.

Next I contacted some close friends, The
Gasoline Bros, they said they were with me and would help
me out in any way possible, and were on board, and thought that
the night was going to be great.
I called Atlanta’s premier sax
player, Jonny Hibbert, he was on
board and thought the night sounded fabulous and told me to
contact Doug Bristol, he is next on
my list I told him. Doug was excited and said most definitely he
was on board, and would be glad to cover the
Ian Hunter set.
His enthusiasm I would lean on often through this undertaking.
Ray Dafrico, someone that was also
glad to be included, and promised to be my stage manager, Ray
was my rock as far as musicians go, I would not have come out
sane on the other end of this without him. Next in line for me
to contact was Joey Huffman, as
long as he got to play All the Way from
Memphis, he would be happy, and also turned out to be one
of my key players in this show, appropriately so, as he is one
of the finest keyboard players there is. Joey also suggested his
friend Neal Spears to do a set,
this would prove to be a great addition to the show.

As time went on many questions and problems arose, and I was
able to climb the mountains that they raised, but it was the
backing out of the main act The Gasoline
Bros that made me question myself and if I could do this
without them. But once I cried a few tears, I dusted myself off
and kept to my path.
Next I contacted David Michaelson,
who agreed to help me with the hole that the Gasoline Bros had
left, with his band The Rainmen,
which turned out to be a great thing in the end. This is when I
was going to be just fine. To my delight the next addition to
the show was Brent Daniel and his
brother Jon, things were finally taking shape and and show time
was just around the corner.

Now for the merchandise, and posters....yes posters, as with all
the changes in the line up, I pushed Chris’ kindness to the
limit. As he did the wonderful job of designing the t-shirts,
which was so graciously done by Jon Daly
for free as his part of the show, as he could not play the show,
(thanks Joey Huffman, what a great suggestion). Jonny D,
as Mr. Daly is known as did a fabulous job, and people all over
were requesting the tees. And the sweet, kind,
Patti Ray Stanley, she helped me
out big time in this area, as not only did she design and make
custom jewellery for the show, but her and her husband Chris
helped me obtain photos from Wolfgang,
a photographer out of Germany that had great shots of Mick and
Ian at a show they had done together in Germany.

And then there was the great items that were
donated by the Mick Ronson Legacy
Foudation, autographed plectrums, several copies of a
biography written by Weird and Gilly,
called “The Spider with Platinum Hair”, and t-shirts with
Mick’s autograph and picture on them, as well as posters from
their upcoming show.
Thanks to Sunny and Mark for their
help in acquiring these items. I was blown away by the
generosity of my friends with their help on the merchandise
booth, it totally rocked.
The week of the show had arrived, and things were looking good.
I had planned for what seemed like forever, and was relatively
calm much to my surprise. I had a plan for each moment for the
days leading up to the show and things fell into place. On the
day of the show, I put my plan into action and proceeded with
caution.

When I arrived at the venue, I unloaded the car with the help of
a few of the guys and set up what I had hoped to be was the best
back stage ever, beer, sodas, water, food, gum and yes even the
battery...the little 9volt battery that I had seen at all the
shows backstage. I had played close attention to all the details
and wanted to make everyone comfortable and enjoy themselves as
they relaxed backstage.
I was told, “beer and BBQ,
she knows the way to a man’s heart.” I guess this means I
succeeded in my efforts.
The members of the band were arriving and setting up their
equipment and things were going so smooth. True professionals,
that is what it was, as these guys set about their task with
ease, and things were sounding great. Paul
Lenz was there, video equipment was ready.
Phillip Morrissey was there for
photos.
As show time approached, I began to get nervous, as I awaited
for the arrival of the people. There were several friends of the
band already at the show, and we were all ready for the show to
begin.

Unit 31, was the first to take the
stage. They had driven all the way from
Pikeville, KY, and were
excited just to be there. Neal Spears,
on vocals, Joey Huffman on
keyboards, Billy Jack Scott on lead
guitar, Patrick Owens on drums and
Steve Bowens on bass. These guys
were great, they got the crowd rocking and put on a helluva
show, and had some great originals they did along with a cover
of Rebel Rebel, that really got everyone dancing. I could not
have asked for a better opening act.

Next to take the stage was Ray Dafrico and
the Shanghai Gesture. They did a fabulous job, and Ray’s
vocals on the Ziggy songs blew me
away. I was getting chills from their performance. He was joined
on stage for a couple of songs by Paula
Mangum, Susan Ridarick, and Jonny Hibbert on sax. Susan
played keys on Suffragette City,
they also helped on Ziggy Stardust, Rebel Rebel, and The Jean
Genie.
Third set, was done by Shades Off,
that consisted of Doug Bristol on
guitar, Brent Daniel on vocals,
Jon Daniel on percussion,
John Yoakum on bass, and
Mark Whitmire on drums. Panic in Detroit was their
opening number, but it was their cover of “Once
Bitten Twice Shy” that blew me away. I was on my feet for
sure on this tune, as it’s one of my favorites.

The final set was done by the Rainmen,
with David Michaelson on drums,
David Ford on guitar/vocals,
Lyle Bufkin on bass/vocals,
Joe Scinta on guitar/vocals, and
Joey Huffman on keyboards. They
were joined on stage by Jonny Hibbert and
Ray Dafrico and did a smashing job on “All the Way
from Memphis”. “Switchboard Susan” always a crowd pleaser
got everyone dancing for sure.
As the night came to a close and final chores were taken care
of.
I knew in my heart that this had been on of the best shows that
I had seen in a while. And I was not being biased either, as the
same sentiments were echoed from every person that I spoke to.
All of the musicians were pleased with their sets and the
transitions in between them had been smooth beyond imagination.

It had been a success even before it began
though, as the reason was to celebrate
Mick Ronson,
and keep his memory alive. And this was achieved by each and
every conversation, and practice that had taken place in
preparation for the show.
And next year, yes there is going to be a next year...is going to have to be pretty spectacular to meet the criteria that this one set, I cannot wait.
Cyndi
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